Senin, 05 Mei 2014

PDF Download , by Joseph Aoun

PDF Download , by Joseph Aoun

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, by Joseph Aoun

, by Joseph Aoun


, by Joseph Aoun


PDF Download , by Joseph Aoun

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, by Joseph Aoun

Product details

File Size: 497 KB

Print Length: 216 pages

Publisher: The MIT Press (August 18, 2017)

Publication Date: August 18, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07536X6Y4

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This book is excellent marketing material for Northeastern University, a Boston-area university of which the author (JA) is currently president. The idea of protecting graduates from obsolescence at the hands (effectors?) of robots and AI will be appealing to many students and their parents. The school’s “co-op” program, which features something like internships integrated more directly than usual into the university’s curriculum, sounds very exciting; I wondered how a program like that might have shaped my career had it been available to me when I was in college (assuming I’d been wise enough at that age to take advantage of it).But the book’s grander vision of what a university should be — a launching pad for inserting students into economic life, and a maintenance garage for keeping them competitive throughout their careers — is narrow and inadequate. While JA’s pleading in defense of humanities and liberal arts is an important and welcome theme in the book, he grounds his argument on those subjects’ instrumental value in teaching economically useful skills that AI can’t (as yet) replicate. More generally, his view of the skills that should be imparted to college students is in some ways naive, some important aspects of implementation aren’t thought through, and his hype reaches occasionally absurd heights.JA proposes to counterbalance the rise of robotics with “humanics.” One aspect of this field is reflected in three “new literacies”:a) “Technological Literacy,” knowledge of mathematics, coding and basic engineering principles;b) “Data Literacy,” meaning the ability to use data, and also to understand its limitations; andc) “Human Literacy,” which “equips us for the social milieu, giving us the power to communicate, engage with others, and tap into out human capacity for grace and beauty” (@59).Of these, “data literacy” might be the newest type — if one overlooks its roots in classical rhetoric and the analysis of arguments. (Unfortunately, the exposition of this literacy seems a little illiterate, as when it this overestimates the power of correlations: “Based on the correlations we discover, we are able to understand the real meaning of the information and then extrapolate accurate predictions from it,”@57.) On the other hand, the clumsily-named “human literacy” seems like something universities have been interested in for decades, if not centuries. “Technological literacy” too is hardly new: at least regarding coding, it’s something many universities have latched on to in recent years. It’s puzzling, though, why engineering should be emphasized to the exclusion of natural science. Nor is JA’s rationale entirely persuasive when it comes to why coding should be a required piece of the curriculum: “Because coding is the lingua franca of the digital world, everyone should be conversant in it” (55). Was everyone “conversant” in mechanics when machines were the dominant technology globally? Alternatively, since technologies like CRISPR will no doubt lead to a rise in “bathtub biotech,” why shouldn’t everyone be conversant in genetic manipulation? (Maybe the way to beat down the threat of AI is to create some new *real* I.) This isn’t to say it would necessarily be a bad idea for more people to learn coding — but JA’s argument is very superficial. It’s not the only place in the book where important issues are glossed over.Complementing these in the “humanics” toolbox are the four “cognitive capacities”:i) Critical Thinking, “which is about analyzing ideas skillfully and then applying them fruitfully” (@62);ii) Systems Thinking, which “sees the details and the entire tableau, exercising our mental strength to weigh complexity while also testing our grasp on multiple strands of thought” (@66);iii) Entrepreneurship, which JA does not define, but which “should be a baseline capacity for all college learners,” and which “functions in two dimensions,” including “the traditional start-up model,” and “the context of established institutions and businesses” (@67); andiv) “Cultural Agility,” “the mega-competency that enables professionals to perform successfully in cross-cultural situations” (quoting Paula Caligiuri), which “requires a deep enough immersion in a culture [sic] so that we can fit seamlessly into multicultural teams or get results from people who have dramatically different lives from our own” (@71).Each of these definitions seems to me problematic. Aside from the question of what “fruitful” application means, surely critical thinking includes analyzing ideas and *rejecting* some of them. It also includes a wide range of activities that overlaps with “data literacy,” such as evaluating both the premises and conclusions of arguments, as well as whether the latter are well-based on the former. In any case, this is one of the most traditional functions of a university, going back to the University of Bologna, founded over 900 years ago as a school of law. “Systems thinking” is an ambiguous term: one of the characteristics of a “system” is that it has a boundary, yet JA seems to think of it as a kind of holism. Often a good use of critical thinking is to question whether system boundaries are appropriate, but JA doesn’t connect these two faculties. The definition of “cultural agility” is by turns unclear and troubling. How can “immersion in a culture” enable us to fit seamlessly into multicultural teams? E.g., I was immersed in American culture growing up, and am now immersed in Japanese culture - would these immersions enable me to fit into a team of Iraqis, Russians and Nigerians? Or was it the alienation of my immersion in the WASP culture of my Ivy League college in the 1970s that made me “agile”? Perhaps it’s immersion in a *multicultural* environment that enables students to become more multicultural? Clearly, this concept needs to be thought through some more. The troubling bit is the reference to “get[ting] results from people who have dramatically different lives from our own” — as with much else in the book, this introduces an instrumental, even exploitative element that we probably do NOT want universities to be teaching.But it’s JA’s emphasis on entrepreneurship that I felt most missed the mark. (Is this a cognitive capacity, BTW, or is it instead a *behavior*?) First, it’s naïve for JA to believe that universities are terrific repositories of entrepreneurial experience, who can incubate and advise people in the business world (“Universities, with their critical masses of active minds, are ideal entrepreneurial ecosystems,” @69). In my previous experience as a Silicon Valley lawyer and as a corporate VC, university personnel are generally among the most arrogant and least realistic people to deal with. They have very little comprehension of the difficulties of manufacturing at scale, of retaining technical staff, and of selling. Significantly, they also tend to have very little experience at failure, which is why they were able to get hired by and advance in their university positions. At least 9 out of 10 entrepreneurial ventures fail. What does the typical tenured professor, or university president, know about being out of a job and perhaps losing their home?It’s also naïve to believe that anyone can be, or would enjoy being, an entrepreneur, just as not everyone is cut out to be a salesperson. To make this be a “baseline capacity” for all who attend college would terribly restrict the number of people admitted to university. Perhaps some would offer the counterargument that entrepreneurism is a “capacity” that can be taught, like coding. So let me ask: how many university graduates had to learn calculus? In US 4-year universities, almost everyone. And yet how many people remember it? How many use it in their daily lives? (This same argument applies to coding, BTW.) The fact that a subject is taught as a required subject isn’t sufficient to turn it into a “baseline capacity” that people will use in their lives. Anyway, do we really *want* a society full of hustling entrepreneurs, like the Ferengi in the Star Trek mythoverse? And why would a society full of selfish optimizers be particularly robot-proof? Wouldn’t humanity’s best resistance to robots be a society that *departed* from the Homo economicus sort of “rationality,” instead of predictably embodying it?This last question opens out on several other aspects of the book that troubled me. JA puts great store by the views of “the C-suite,” i.e., the topmost levels of corporate management. Why are they particularly endowed with vision about what the job market will be in the future, rather than in the next few years only? Capitalism has created many of the problems we now face — rising inequality, environmental degradation, new technological forms of invasion of privacy and government repression; why should we look to its captains for a vision of what universities should be? Shouldn’t universities also be able to contemplate alternatives to capitalism? What about other functions of a university — to allow students to deepen their understanding of political participation and citizenship, and to research, preserve and transmit culture and humanistic values not related to earning a living? And what about the role of a university in developing and encouraging students’ *curiosity*? Like politics and inequality, which are mentioned only in passing, this isn’t a topic that receives any attention in this book.At times JA’s pitch goes to absurd lengths. Take his exhortation that every course syllabus “ought to describe the four cognitive capacities developed through each step of study and discussion” (@74). This made me wonder how entrepreneurship should have been stressed in one of my favorite college courses, where we read most of James Joyce’s works. Should we have spent less time discussing Joyce’s style, humor and philosophical erudition, and concentrated more on the career of Leopold Bloom, the main character of “Ulysses,” who spent the daytime hours of the novel roaming Dublin trying to sell ads in the newspaper that employed him? Should the prof in the Italian Renaissance paintings course I audited have spent less time showing us old paintings, and more on talking about how he got a gig advising the Italian government on restoring paintings after a flood in Florence? Should my undergrad seminar in astrophysics have been cancelled because, as my mother used to tease me with a smile, “You’re studying astronomy? Very nice. So, what kind of money can you make as an astronomer”?My credulity was stretched beyond breaking point near the end of the book, in a passage outlining the lifetime experience of a “young learner” with a “multi-university network” in Boston, Charlotte, Seattle and Silicon Valley. She starts by taking computer science and business in Boston, then gets “co-ops” at Amazon and a top Seattle law firm, launches a social media venture, later takes some modules (along with members of her team) at a Silicon Valley-based institution to learn about VR, then goes to Charlotte a few years later to brush up on M&A before selling her company (@136-137). Come on, what percentage of the college-going population is going to have such an experience? Even at an Ivy League school only a small fraction of graduates will follow such a path.One might attribute this absurd exaltation of entrepreneurship to a failure of critical thinking, but I think something else is at work. This vision that turns every student into a Zuckerberg — who BTW attended a college no more expensive than Northeastern, and without a “humanics” curriculum — illustrates the divergence between the marketing document that the book is meant to be, and the serious consideration of future education that the unsuspecting reader might be expecting. Every parent wants to believe their son or daughter will turn into a star. And every university wants those parents to believe that their institution is the key to that dream.JA deserves a lot of credit for raising the national ranking of Northeastern from below #100 to around #40 in the years he has been in charge. And I can’t grudge him publishing a book like this to try to do the best for his school — it’s very well done. But if you’re looking for a more realistic appraisal of the future of education — and especially one that resists drinking the Silicon Valley Kool-Aid — you won’t find it here.

This was a very disappointing book. It is basically an advertisement for the author's university. He asserts effectiveness of his favorite approaches but provides essentially no evidence for his claims. Though the whole theme is the ability of future students to deal with AI, there is no evidence that he has examined what AI can and can not do, and which deficiencies are likely to go away in the future. While "experiential" learning (a fancy name for learning by doing) is a great idea, this book provides little data showing when it helps and when it doesn't -- in fact, this book doesn't provide much data on anything. Even the review of the history of the US university system is rather superficial. Read Derek Bok's "The Struggle to Reform Our Colleges" or Cathy Davidson's "The New Education" if you actually want to learn something about higher education in the 21s century.

Aoun gives a clear prediction of the future, and the only thing certain is change. The job market will most likely change drastically with the rapid onset of mechanization, smarter software, and AI and not even currently high-paying jobs like doctors, lawyers, or financiers are safe. The key for educating the student of the future lies in what he calls cognitive capacities that only humans posses (for now). Great read for anyone employed in higher education.

An intuitive and smartly informed view of the future educational needs of our nation. Every one invested in higher education should read and use to inform curricular innovations.

Education is not only the means but the solution as well. Indeed, automation, AI and ML will make very, if not extremely, difficult to have jobs, work or office hours as we currently have in the near future. The first thing that are going to be automated will be activities, not carreers. But if carreers do not reinvent themselves, they will soon be replaced by machines. Author Joseph E. Aoun offers a personal insight into what universities need to be looking at in order to renew the current curricula. A must read for anyone with curiosity who wants to know how academia should respond to nowadays and current technology trends.

Excellent outline of what today's society needs the university to be. Perhaps Dr. Aoun will write a second book about the extraordinary leadership that can move a university from the entrenched 16h century model to an institution that is relevant to 21st century learning.

Timely piece that recasts the university as the place whose mission is to provide future skilled workers with training at higher and more sophisticated levels. In the end it is about securing and sustaining jobs. There is no serious consideration given to ethical practices and citizenship. What is presented as "humanics." This is presented as the practical response to the contributions of the social sciences and the humanities. The tragedy is that Joseph Aoun my be on track in terms of the creation of a higher level vocational school that produces workers disguised as a university.

A must read for higher education to transform content and pedagogy. Lecture is dead — just get over it and start engaging students with real world projects.

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Sabtu, 12 April 2014

Free PDF Singles Strategy: Blueprint to Win - Quick-Fix Book

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Singles Strategy: Blueprint to Win - Quick-Fix Book

Product details

Paperback: 88 pages

Publisher: CreateSpace Independent Publishing Platform (June 23, 2016)

Language: English

ISBN-10: 148398902X

ISBN-13: 978-1483989020

Product Dimensions:

5.1 x 0.2 x 7.8 inches

Shipping Weight: 5.3 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#603,222 in Books (See Top 100 in Books)

Best singles strategy book to bring with you in your tennis bag. So well written and helpful for all levels to understand the singles game. Love it!

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Sabtu, 05 April 2014

Free Ebook Mathematics, Magic and Mystery (Dover Recreational Math), by Martin Gardner

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Mathematics, Magic and Mystery (Dover Recreational Math), by Martin Gardner

From the Back Cover

Why do card tricks work? How can magicians do astonishing feats of mathematics mentally? Why do stage "mind-reading" tricks work? As a rule, we simply accept these tricks and "magic" without recognizing that they are really demonstrations of strict laws based on probability, sets, number theory, topology, and other branches of mathematics.This is the first book-length study of this fascinating branch of recreational mathematics. Written by one of the foremost experts on mathematical magic, it employs considerable historical data to summarize all previous work in this field. It is also a creative examination of laws and their exemplification, with scores of new tricks, insights, and demonstrations. Dozens of topological tricks are explained, and dozens of manipulation tricks are aligned with mathematical law.Nontechnical, detailed, and clear, this volume contains 115 sections discussing tricks with cards, dice, coins, etc.; topological tricks with handkerchiefs, cards, etc.; geometrical vanishing effects; demonstrations with pure numbers; and dozens of other topics. You will learn how a Moebius strip works and how a Curry square can "prove" that the whole is not equal to the sum of its parts.No skill at sleight of hand is needed to perform the more than 500 tricks described because mathematics guarantees their success. Detailed examination of laws and their application permits you to create your own problems and effects.

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About the Author

Martin Gardner was a renowned author who published over 70 books on subjects from science and math to poetry and religion. He also had a lifelong passion for magic tricks and puzzles. Well known for his mathematical games column in Scientific American and his "Trick of the Month" in Physics Teacher magazine, Gardner attracted a loyal following with his intelligence, wit, and imagination. Martin Gardner: A Remembrance The worldwide mathematical community was saddened by the death of Martin Gardner on May 22, 2010. Martin was 95 years old when he died, and had written 70 or 80 books during his long lifetime as an author. Martin's first Dover books were published in 1956 and 1957: Mathematics, Magic and Mystery, one of the first popular books on the intellectual excitement of mathematics to reach a wide audience, and Fads and Fallacies in the Name of Science, certainly one of the first popular books to cast a devastatingly skeptical eye on the claims of pseudoscience and the many guises in which the modern world has given rise to it. Both of these pioneering books are still in print with Dover today along with more than a dozen other titles of Martin's books. They run the gamut from his elementary Codes, Ciphers and Secret Writing, which has been enjoyed by generations of younger readers since the 1980s, to the more demanding The New Ambidextrous Universe: Symmetry and Asymmetry from Mirror Reflections to Superstrings, which Dover published in its final revised form in 2005. To those of us who have been associated with Dover for a long time, however, Martin was more than an author, albeit a remarkably popular and successful one. As a member of the small group of long-time advisors and consultants, which included NYU's Morris Kline in mathematics, Harvard's I. Bernard Cohen in the history of science, and MIT's J. P. Den Hartog in engineering, Martin's advice and editorial suggestions in the formative 1950s helped to define the Dover publishing program and give it the point of view which — despite many changes, new directions, and the consequences of evolution — continues to be operative today. In the Author's Own Words:"Politicians, real-estate agents, used-car salesmen, and advertising copy-writers are expected to stretch facts in self-serving directions, but scientists who falsify their results are regarded by their peers as committing an inexcusable crime. Yet the sad fact is that the history of science swarms with cases of outright fakery and instances of scientists who unconsciously distorted their work by seeing it through lenses of passionately held beliefs." "A surprising proportion of mathematicians are accomplished musicians. Is it because music and mathematics share patterns that are beautiful?" — Martin Gardner

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Product details

Series: Dover Recreational Math

Paperback: 208 pages

Publisher: Dover Publications; First Printing edition (June 1, 1956)

Language: English

ISBN-10: 9780486203355

ISBN-13: 978-0486203355

ASIN: 0486203352

Product Dimensions:

5.5 x 0.5 x 8 inches

Shipping Weight: 9.1 ounces (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#779,334 in Books (See Top 100 in Books)

One of a kind puzzle book. Wonderful illustrations, entertaining and stimulating writing. Good mix of puzzles, with well-organized chapters. I owned this 60 years ago, when I was a teen! And I still like it.

If you're new to Gardner's mathematical writing, this is a great place to start. The theme for Mathematics Awareness Month 2014 is taken from this book (visit mathaware.org to see the result), and fun as that site is to explore this book really has it all. Gardner has a clear, inviting style that is disarming in its directness. Yet he takes you almost immediately to strange and wonderful places that truly show off the beauty of abstract mathematical ideas. What a ride. I've had a ball rediscovering this classic book.

Great source of curiosity and discussion topics with my algebra student.

This is a lot of information, well presented, in a compact source. As a pro magician & an educational assembly performer, I can use this as a quick source for material to use in my shows.

My 12 year old who loves math and science cannot get enough of these books. I highly recommend this author.

I was expecting something different from this book. After taking a math workshop, I purchased this book based on a suggestion from a person attending. I wanted a book that was slightly more user friendly than this one. I have not used it because each time I looked at the title expect to be able to open it up to discover a great math trick I then open the book and find the text dry and dull. I placed the book in my free time area thinking it would be great for advanced students, however after 4 years no one picked it up. I know Martin Gardner is a brilliant author, but this one was too much for me.

This book was more about tricks. I am interested in the explanation of numbers and how they work to decipher words. Some times it is hard to see just what one is looking for in your 'look inside' offer.

Not worth the money

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Mathematics, Magic and Mystery (Dover Recreational Math), by Martin Gardner PDF

Kamis, 03 April 2014

Get Free Ebook THE BEST HOMEMADE KETOGENIC BREAD: 15 Instant & Easy Gluten-Free Recipes for Breakfast & Dinner to Weight Loss on Paleo Diet & Keto Diet Journey

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Product details

Paperback: 49 pages

Publisher: Independently published (December 27, 2018)

Language: English

ISBN-10: 1792781741

ISBN-13: 978-1792781742

Product Dimensions:

6 x 0.1 x 9 inches

Shipping Weight: 4.5 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

15 customer reviews

Amazon Best Sellers Rank:

#803,912 in Books (See Top 100 in Books)

I've tried making low carb bread before but it came out flat and tasted weird. I didn't like it all. I think I just didn't have the right recipes though because I've made 6 of the recipes in this book and every one of them came out perfect. I'm excited about the possibilities this means for following a low carb diet without sacrificing sandwiches, hamburgers, and so many of my other favorite foods.

It isn't just loaves of bread, but also flat breads, pretzels, buns, and snacks. For some reason I always though baking bread was difficult but it is actually easier than most types of cooking. This book showed me everything I needed to get started baking and has a bunch of great recipes. I recommend it to anyone who wants to eat more low carb baked goods.

Excellent Photos and a Variety of Desserts, something for everybody. Easy to following recipes for All Cooks or Novices!I like how the book is well laid out with the introduction, simple Keto diet guidelines, information about ingredients and then the recipes.

Such an amazing book for Ketogenic bread. This book 15 Instant & Easy Gluten-Free Recipes very easy to make. I am following this book instruction it’s very helpful for me. I love these book recipes. Thanks for the author.

I found the book informative and concise. However, there are a few mistakes. For example there are 16 oz in a pound, not 15. Also there are quite a few grammatical errors. The book could use a good once over by an editor.

This book was $9.99 and it's mostly all cracker recipes not breads. Don't waste your money!!

I track everything I eat and am meticulous about tracking my net carbs. The recipes in this book seemed too good to be true but they are working for me: I can eat sandwiches and burgers again and still stay in ketosis. Amazing! I would give this book 10 stars if I could, I feel like I have a whole new world open to me again.

Try not to take a pass on these stunning recipes that your family will love and that will improve you feel more advantageous and than you have in years!Really like bread sticks recipes and at the end measurement conversion table is very helpful.Enjoy this read ,suggested..!

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THE BEST HOMEMADE KETOGENIC BREAD: 15 Instant & Easy Gluten-Free Recipes for Breakfast & Dinner to Weight Loss on Paleo Diet & Keto Diet Journey PDF

THE BEST HOMEMADE KETOGENIC BREAD: 15 Instant & Easy Gluten-Free Recipes for Breakfast & Dinner to Weight Loss on Paleo Diet & Keto Diet Journey PDF
THE BEST HOMEMADE KETOGENIC BREAD: 15 Instant & Easy Gluten-Free Recipes for Breakfast & Dinner to Weight Loss on Paleo Diet & Keto Diet Journey PDF

Senin, 24 Maret 2014

PDF Download AP US History Review Book 2019: Study Guide and Practice Test Questions for the AP US History Exam (Guide to 5)

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AP US History Review Book 2019: Study Guide and Practice Test Questions for the AP US History Exam (Guide to 5)

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AP US History Review Book 2019: Study Guide and Practice Test Questions for the AP US History Exam (Guide to 5)

Product details

Paperback: 212 pages

Publisher: Accepted, Inc. (July 30, 2018)

Language: English

ISBN-10: 1635305144

ISBN-13: 978-1635305142

Product Dimensions:

8.5 x 0.5 x 11 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#1,241,142 in Books (See Top 100 in Books)

Very few of the multiple choice questions in this book are stimulus based, and none of the SAQ, LEQ, or DBQs are phrased to correctly or accurately reflect the phrasing on the AP test.Do not buy this book.

This AP US History Review Guide for 2019 is great! It really goes into detail on every section covered for this examination. It teaches history unlike other study guides. It covers the required information needed to know. I loved how organized and easy this book was to study. The answer key does not have explanations; however, if you actually read and study the written chapter contents, the answers are a no brainer. There is only one right answer. This book also gives out writing responses to give the students a hands-on practice approach. I greatly appreciated that, too. For that section the book gave sample responses that would work for those response short and long essay questions. Overall, I would highly recommend this study guide to all students. Plus, the pricing is unbeatable!I received this copy from the publisher. This is my voluntary review.

This is a nice book compared to other review books. It is printed well and in a font that is easy to read. The study notes are not too hard which make it easier to remember the material and the practice tests help you to polish up the information you got wrong. I am a history buff and while most of the material was stuff I knew, it wasn't hard to remember or understand.I would definitely recommend these study guides for anyone who needs to brush up on their skills for class or before a test.

Truvium test prep products have always been useful to me. This test prep is no different. There's a free exam essentials DVD offer inside the front cover. This book covers everything from The Dawn of Colonialism - The Turn of the Millennium divided into 9 sections. It also includes sample essays with 4 practice tests! AP US History Review Book 2019 is must have for your AP prep!

Your taking AP U.S. History and may question whether you need a book like this, and unless you have an eidetic memory the answer is yes. I have always enjoyed history and reviewing this book taught me some things I either did not know or had forgotten.The book is set up so that you first cover test strategies, something that is always a good idea to review as even if you know the material you can get so nervous that you don't do as well on the test as you could have. It begins with how the area that became the United States as at one time densely populated by the Native American population, many of whom died after being exposed to diseases such as smallpox. It has a good review of the American Revolution, and the age of expansionism, and continues through some mention of the shifting demographics of our own time.There are several practice tests so that you can practice what you have learned after reviewing the book. It contains examples of essays from low to high scoring so that you can see the differences and hopefully help you write the best possible essay. Unlike some other tests, this one also contains short answer question, and their are examples of such in this book.I received a copy of this book at no cost to myself, this is my voluntary review.

The Accepted Company has published study guide books on a wide variety of tests. They seem to do best in the books for smaller tests, such as the U.S. HISTORY REVIEW BOOK 2019. It has a pretty large review section that covers many of the topics that students will probably encounter on the AP U.S. History Test. The last section of the book has four sample tests. There are 55 multiple choice questions, 4 short answer questions, and 2 essay prompts with each test. The only issue I have with the AP U.S. HISTORY REVIEW BOOK 2019 is that there are some typographical errors scattered throughout. This, unfortunately, is a common issue with the study guide books published by Accepted. With that said, I noticed the fewest number of errors with this book than I have in other study guides I have examined, so I believe the company is improving. Overall, the AP U.S. HISTORY REVIEW BOOK 2019 makes a pretty decent guide to help prepare for the 2019 AP U.S. History Test.

I like the structure of the book. Content is precise and concise, and the practice and essay questions are very well organized. If you want to score high on this test, this is a must have.

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AP US History Review Book 2019: Study Guide and Practice Test Questions for the AP US History Exam (Guide to 5) PDF

AP US History Review Book 2019: Study Guide and Practice Test Questions for the AP US History Exam (Guide to 5) PDF

AP US History Review Book 2019: Study Guide and Practice Test Questions for the AP US History Exam (Guide to 5) PDF
AP US History Review Book 2019: Study Guide and Practice Test Questions for the AP US History Exam (Guide to 5) PDF

Jumat, 21 Maret 2014

PDF Ebook Everything you NEED to Know About TIG Welding: Learn how to do exceptional quality TIG welds and fabrications

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Everything you NEED to Know About TIG Welding: Learn how to do exceptional quality TIG welds and fabrications

Product details

Paperback: 149 pages

Publisher: Independently published (February 15, 2018)

Language: English

ISBN-10: 1980297622

ISBN-13: 978-1980297628

Product Dimensions:

5.2 x 0.4 x 8 inches

Shipping Weight: 8.2 ounces (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#96,432 in Books (See Top 100 in Books)

Despite the spelling and grammatical errors, and lack of diagrams, there is a wealth of information in this book. For the price of a pack of welding rods, this book is exceptional value. The author has put in effort to describe his techniques together with pros and cons, and is one who has experienced “combat”, and not an “arm chair “ expert as other authors are. A superb book to get you started or a refresher.

Or one, if both are similar. It's an excellent, and very practical, complementary booklet for learners and practiced tiggers. TIG welding has been described as the "Rolls Royce" of welding processes, and the author's explanation of its versatility and superiority over stick and mig made me opt for a tig machine. A sampling, "It can be used on any material, it produces the cleanest and best penetrating welds, and it allows you much more control over how the weld lays down...you have the option of slowing down, using less filler, and working the puddle to achieve the look and size weld you need,...you have control over how much heat is being put into the workplace as well." You have got to read on.

I liked this book after taking a 2 day course at the local collage this just brought everything togeather

This book is just like "Tig Welding Secrets: An In-Depth Look At Making Aesthetically Pleasing TIG Welds", Do Not Buy Both Books.

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Everything you NEED to Know About TIG Welding: Learn how to do exceptional quality TIG welds and fabrications PDF
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Sabtu, 08 Maret 2014

Get Free Ebook Riccardo Muti: An Autobiography: First the Music, Then the Words, by Riccardo Muti

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Riccardo Muti: An Autobiography: First the Music, Then the Words, by Riccardo Muti

Review

“A vivid portrait of life at the top of a podium heap…[a] fascinating memoir – a must-read for all who would gain insights into what makes a dedicated and complicated man of music tick.” ~Chicago Tribune“Rewarding reading… Rizzoli has produced a handsome, elegantly designed book.” ~Opera News

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About the Author

Riccardo Muti first came to the attention of critics and the public in 1967, when he was unanimously awarded first place at the Guido Cantelli Competition for conductors in Milan. Since then he has regularly conducted in the most celebrated opera houses including the Metropolitan Opera, Vienna State Opera, and Rome Opera as well as the most distinguished orchestras including the Berlin, Vienna, and New York philharmonics. In addition, Maestro Muti has held titled positions with Maggio Musicale Fiorentino, Philharmonia Orchestra, Philadelphia Orchestra, and La Scala. In 2010, Maestro Muti became the tenth Music Director of the Chicago Symphony Orchestra winning two Grammy® awards with the orchestra in his inaugural season.  Riccardo Muti has conducted friendship concerts in locations that symbolize the world’s troubled past and contemporary history: Sarajevo, Beirut, Jerusalem, Moscow, Yerevan, Istanbul, New York, Cairo, Damascus, L’Aquila, Trieste, El Djem, and, most recently, Nairobi. Muti has been honored with a Cavaliere di Gran Croce of the Italian Republic, an Order of Merit of the Federal Republic of Germany, an honorary Knight Commander of the British Empire by Queen Elizabeth II, and Officer of the Legion of Honor by French President Nicolas Sarkozy. He has been awarded the Wolf Prize for the Arts from the State of Israel, the Order of Friendship from Russia, the Prince of Asturias Prize for the Arts from Spain and the Birgit Nilsson Prize from Sweden. In Vienna alone he has been elected an honorary member of the Gesellschaft der Musikfreunde, the Wiener Hofmusikkapelle, the Vienna State Opera, and the Vienna Philharmonic.

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Product details

Hardcover: 244 pages

Publisher: Rizzoli Ex Libris (September 6, 2011)

Language: English

ISBN-10: 9780847837243

ISBN-13: 978-0847837243

ASIN: 0847837246

Product Dimensions:

5.5 x 1.1 x 8.7 inches

Shipping Weight: 1.2 pounds

Average Customer Review:

4.1 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#1,226,314 in Books (See Top 100 in Books)

Riccardo Muti is, in my opinion, one of the finest conductors appearing before the public today. I have attended opera perforamnces of his at La Scala and symphonic performances of him leading the Vienna Philharmonic, the Philadelphia Orchestra and the Chicago Symphony. I also have a number of his recordings of both the operatic and symphonic repertoire. When Muti is conducting, one will not experience boredom.While I am a great admirer of his conducting, I am not as enthralled with his writing. There is much in his autobiography which is missing. His relationship with Ormandy, culminating in Ormandy's selection of him as successor to conduct the Philadelphia Orchestra, is given short shrift. Even less is revealed about the flap which ultimately resulted in his departure from La Scala. There is nothing concerning his rejection of the New York Philharmonic directorship, nor is there much in the way of any enlightenment concerning his appointment as Music Director of the Chicago Symphony.Thus, I was disappointed by his autobiography. It told me very little about Muti, the man, and what little was revealed was done superficially. Perhaps it is best that he did not become a writer. However as a musician, he is superlative.

Although I deeply respect and adore Maestro Riccardo Muti's musicianship, I was somewhat disappointed in my expectations of his memoirs. When an "autobiography" omits certain crucial periods/ events/ relationships that have been historically proven as formative or critical to the subject's life and career, then the question is whether this "autobiography" is simply a self-serving attempt to re-write history and/or exercise damage control...

Riccardo Muti as memoirist matches up well with Riccardo Muti as conductor: impassioned, occasionally lyrical, yet unsentimental; intelligent and perceptive in a confidently glancing and concise way rather than via extensive dwelling and probing; and with an eye toward getting on with it. His portion of the book covers a nearly 70-year life and 40-year international career in a none-too-dense 163 pages. The tome is pushed, barely, over the 200-page mark with an afterword by Marco Grondona, heavy with musical notations and citations but syntactically confusing, followed by notes and an index.Perhaps the publisher's term "autobiography" will lead one to expect something deeper and more faceted than what is delivered. This is less autobiography than reflections on a musical life...emphasis on "musical." When a family member appears, it usually is so the conductor can remark on how he/she affected or was affected by his career. Events are in rough chronological order, with allowance for occasional digressions. The tone is high-minded and private, revealing in academic and artistic senses but less so in personal ones. I have no doubt that Riccardo Muti does or has done other things when not engaged in making, studying, or talking about music, but he is not very forthcoming about those parts of his life. The timeline ends as he is about to assume his position as music director of the Chicago Symphony Orchestra. The health setbacks that have plagued him in his tenure lay ahead at the time of writing.Those who have heard Muti speak or have read his best interviews (such as the excellent one in OPERA NEWS on the occasion of his 2010 Met debut with ATTILA) know he is thoughtful and trenchant when he fastens on a subject. While the translation by Alta Price here is problematic in some specifics, the maestro's voice is accurately captured overall. His hardheadedness on matters of repertoire, style, and textual fidelity have led to legendary flare-ups with singers, orchestras, administrators, and audiences. Those who expect him to use his book as a forum to set the record straight on those run-ins will be disappointed. When anything approaching a conflict is described (for example, a difference in opinion with Leyla Gencer on how the soprano's reading of the letter should be performed in Verdi's MACBETH, circa early 1970s), the language is mild and diplomatic. The passionately didactic side of Muti surfaces more when, for example, he bemoans the decline of institutional support for the arts, or justifies his Scala revivals of Verdi's middle-trilogy operas in editions scrubbed of traditional interpolations. The gloves do come off, to a point, when he recounts his incompatibility with a handful of operatic stage directors (who are named) in the 1990s and 2000s. Readers who share Muti's distaste for contemporary Regietheater may find this section fortifying.But as one might guess from reading the above, when a famous name appears, the remembrance is more likely to be a warm one. Muti's most important early teacher/mentors, Antonino Votto and Vittorio Gui, are recalled with reverence. In common with several artists and impresarios active in opera in the late 1960s and the 1970s, Muti has a "Callas hunting" story (he put out feelers to try to get her to return to the stage for Verdi's Lady Macbeth, and was surprised to get a phone call from her). There is pleading on behalf of some undervalued or neglected composers, and generous praise for many singers and musicians: tenors Nicolai Gedda and Luciano Pavarotti (Muti considers the booing of the latter's Scala Don Carlo singularly unfair), basses Cesare Siepi and Nicolai Ghiaurov, stage director Giorgio Strehler, pianists Robert Casadesus and Sviatoslav Richter...and, most movingly, another pianist, Emil Gilels. In a performance with Muti and the BPO, Gilels gently insisted on an Adagio of Beethoven's "Emperor" Concerto that conductor and orchestra alike found perplexingly slow. At the time, unbeknownst to Muti, Gilels only had a few months to live: "'It's fine that way,' he said, looking out into an infinite void with otherworldly eyes. 'The notes should be stars shining one after the other in the firmament.' [...] [W]hen I heard the news [of his death,] I was ashamed that I hadn't immediately understood the suffering of a man who was already viewing music from another realm."The excellent photo selection includes glossy shots (some color, some B&W) of the conductor with family members, one composer, one pope, several heads of state, many singers and fellow conductors. The definitive account of Muti's prestigious and eventful career in all its highs and lows will have to be written at a later time by some objective third party (even the acrimonious 2005 break with La Scala is waved away with gentlemanly discretion here). But admirers of the conductor as well as those with a more general interest in his musical times and repertoire will get much satisfaction from this slender, attractive volume, while critics may at least come away grudgingly conceding Muti's sincerity and dedication to his calling.

Maestro Muti has graced Chicago with his leadership for the last five years as musical director. He has brought into our lives the true belief in the power of music. Reading this book makes me realize how much demand is placed on family with this globe trotting existence. May he and his Christina live long and happy days. Hopefully in Chicago for part of the years

Enjoyable learned more than a few things, and, for the most part, he kept his ego in check and came off as a decent man.

Fun read about Riccardo who tamed the masses in Chicago. Though, where is his DVD at ? Or his Guide of Chicago. A sort of Rick Steve's approach to find the deals in Chicago and live to tell about it. (Clif Bars and Dunkin Donuts and lots of water).

I loved the book. The only warning...I think the reader should have a pretty seriou interest in music. The book does contain some technical terminology.

I am about a third of the way through the book and so far I am enjoying it quite a bit. I live in Chicago and Maestr Muti is music director of the Chicago Symphony Orchestra so it has a special meaning for me. It is very well written and does not get too technical as I am not a musically trained person, just self taught. I am looking forward to more reading of the book.

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