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PIM & FRANCIE GOLDEN BEAR DAYS HC, by Al Columbia
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From Publishers Weekly
Columbia's legend over the last two decades has as much to do with the work he's destroyed or never finished as with the few spectacular, horrifying pieces that actually have seen publication. This, his first book, makes a point of being unfinished and unfinishable. These aren't actually stories about Pim and Francie, a pair of little-kid characters (drawn in a vintage animation style) who are perpetually stumbling into ghastly, wrenchingly violent scenarios: they're mangled fragments of stories, closeups of incomplete comics pages and animation storyboards, stained and crumpled sketches and notes. The book's spine calls its contents artifacts and bone fragments, as if they're what's left for a forensic scientist to identify after a brutal murderer has had his way with them; Columbia obsessively returns to images of bloody bloody killers. (His cartoon shorthand for destruction is a human tornado with lots of bent arms holding knives at daffy angles.) Many of the pieces are just one or two drawings, as if they've been reduced to the moment when an idyllic piece of entertainment goes hideously awry. But they're also showcases for Columbia's self-frustrating mastery: his absolute command of the idiom of lush, old-fashioned cartooning, and the unshakable eeriness of his visions of horror. (Nov.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From Booklist
Pim and Francie are a boy and a girl right out of early animation: crisply drawn in a handful of stock positions, with big shoes and three-fingered gloves, and usually identically posed when shown together, except when one or the other is in a chopped-up state. Chopped-up? Well, their grandpa and grandma as well as the Bloody Bloody Killer often turn up flourishing big knives and straight razors. This is all done in black and white, of course, like the early, silent, deadly Felix the Cat cartoons, and also in various apparent states of wear, tear, and draftsmanship (penciled, inked, half-inked, overlaid, palimpsest). Only vaguely narrative, nightmarish, but fascinating, especially for connoisseurs of pure cartooning. --Ray Olson
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Product details
Hardcover: 240 pages
Publisher: Fantagraphics Books; 1st edition (February 7, 2017)
Language: English
ISBN-10: 1606993046
ISBN-13: 978-1606993040
Product Dimensions:
7.9 x 1 x 8.1 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
16 customer reviews
Amazon Best Sellers Rank:
#361,377 in Books (See Top 100 in Books)
I've wanted this book for years, I was so excited when I saw it was only $30 and not the $180 it used to be. The quality is incredible and every ounce of this piece of work had me fascinated by every detail. A definite need for comic book collectors or anyone in love with having something creepy within arms reach.Thank you Al Columbia.One slight flaw: the book I received was slightly damaged on the bottom part of the binding. Nothing that would really take away from the book itself, but being picky about it's condition, I was slightly disappointed.
Al Columbia is one of the most enigmatic cartoonists alive and this collection will only add to his mystery. This book contains no story, only ideas and sketches pulled together and presented with some attempt to produce a very loose narrative. Collected here are the raw and disturbing images from the mind of an artist with seemingly no boundaries. If you've ever read anything by Columbia you'll know that he really doesn't do any self censorship and if anything this book is tamer than much of what he has produced. Columbia is generally characterized as such a perfectionist that his productivity is almost non-existent. This book would definitely back up that theory since many of these drawings are absolutely stunning and would only need some slight cleanup to be presented to the public in an actual story. As someone with a small bit of background in graphic design it saddens me to see pictures that clearly took many hours to create torn and taped back together.If the book did have a theme you might say it's the loss of innocence. It isn't the innocence of Pim and Francie since they are clearly corrupted from the get go. Early in the book Francie is shown attached to a laughing monstrosity by an umbilical cord while Pim, cigar in hand and face obscured by shadows, shouts, `whore, he looks nothing like me'. No, the innocence that Columbia tries to take is that of the reader. The book is littered with images of beloved Disney characters including one haunting drawing featuring badly damaged statues of Mickey, Pluto and Donald Duck's nephews. Mickey's mouth is a gaping smashed hole; an image that's hard to shake made all the more sickening by the skill and precision of Al Columbia. Columbia's `Bloody Bloody Killer' bears a slight resemblance to Goofy if Goofy had leering bulging eyes, a mirthless smile and a butcher's knife in each hand. There is an insane looking picture of what appears to be Pluto with his face carved up and a look of masochistic delight while in another image Pim has Bambi on a leash having hacked off two of the young doe's legs and his tail. I would suggest visiting Fantagraphics website which offers 24 pages from the book as a preview.Al Columbia reuses a lot of ideas but again this is a sketch book of experimentation and not a finished product. There are a lot of images of multi-limbed creatures with arms at unnatural angles and a butcher's knife in each hand. Sometimes the creature seems to literally have multiple arms while in others it appears that the knives may be getting juggled and the extra arms are meant to show movement. Besides being inspired by Disney and Fleischer I see similarities to a lot of comics from the 1920's, 30's and 40's. Some of the characters resemble political cartoons from the 40's that featured disgusting distorted images of opposing world leaders. They were typically drawn grotesquely fat with demonic claws and greedy tongues licking thick slobbering lips. In one picture two of these beasts are selling kittens to what appears to be the `Bloody Bloody Killer' for God knows what purpose. If you look back at a lot of comics like `The Yellow Kid', from the turn of the last century, many of the drawings look very disturbing today and I sense that this was one of the sources of inspiration. Not everything in the book will repulse. A lot of pictures are quite lovely and could easily be featured in a children's book without complaint but you always get the feeling of dread that one turn of the page will be a return to hell.One thing about Fantagraphics is they clearly care about what they put out. The cover is fantastic giving the appearance that the book is taped up. The paper stock is very nice and the binding is perfect. No worries at all in the presentation. I just can't help but feel that this whole endeavor is a desperate attempt to get anything out from Al Columbia. What I would have preferred was a compilation of his works from various comics many of which are extremely hard to get but the ultimate would be an all new book. I just cannot in good conscience give this book the full five stars because in the end it's an incomplete project. It's more of a tease or perhaps a sad reminder of lost potential. Al Columbia has some amazing stories rattling around in his head and hopefully someday they will get polished up and presented in a finished format.
I'm really unsure how to review this book because it is simply unlike anything I have ever experienced before. I found this as it was recommended on a message board I frequent as one of the most horrifying graphic novels of all time.Reading this book feels like being punched in the brain. There isn't much of a plot, although with a little creativity one can imagine how all the panels are linked. It can be described as sequential art, although probably more accurately just a book of unrelated art.This stuff is truly horrifying and will probably give me nightmares. I am a consumer of horror entertainment in all mediums and couldn't imagine there was much left to scare me. This stuff was really, truly horrifying though. Some of it is sick, some of it is scary, but it leaves an impression.If you are the type of person who can laugh at a cartoon image of Bambi being tortured and dismembered by a child with a razor blade, this is for you. The only way I can describe it is an "experience."
Excelent
This book is easily one of the most unsettling creations to surface in comics history. If one chooses to stay at surface-level, the artwork by itself is worthy of repeated gazes. Disney characters, deconstructed and busted, and Fleischer Bros. dream ghouls abound. To the passers-by, it may appear to be just a nice and ugly collection of distorted funnies. However, the thin thread of narrative has to be found by delving beneath that exterior. It can and has been said that this is not a conventionally plotted story, but that actually makes the jumps all the more jarring. By leaving out exposition and conventional dialogue, the remains tend to create an even more disturbing mood. Who knows if this was an intentional structure by Mr. Columbia or a result of editing? Either way, it almost seems like a new way of telling a horro-comic story. The Sketches and enlarged fragments, tape boogers and smudges all make it seem as if you've happened on some derelict from cartoon hell. Oily Recommitted!
Haunting,disturbing,grim,beautiful,discomforting, and absolutely brilliant. I am a huge fan of Mr.Al Columbia & I am so happy he decided to release all of this beautiful unused artwork he had hiding in his private works. I HIGHLY recommend you check this book out. It is by far one of my favorites in my very large collected library. GO PICK IT UP TODAY
I love the book, it was in great condition and if you like cartoon gore this is the book for you.
Amazing artwork. Kind of rough around the edges but i still love it
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