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Ebook History of the United States Capitol: A Chronicle of Design, Construction, and Politics (Senate Document)

Ebook History of the United States Capitol: A Chronicle of Design, Construction, and Politics (Senate Document)

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History of the United States Capitol: A Chronicle of Design, Construction, and Politics (Senate Document)

History of the United States Capitol: A Chronicle of Design, Construction, and Politics (Senate Document)


History of the United States Capitol: A Chronicle of Design, Construction, and Politics (Senate Document)


Ebook History of the United States Capitol: A Chronicle of Design, Construction, and Politics (Senate Document)

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History of the United States Capitol: A Chronicle of Design, Construction, and Politics (Senate Document)

Product details

Series: Senate Document

Hardcover: 516 pages

Publisher: US Government Printing Office; Edition Unstated edition (December 30, 2001)

Language: English

ISBN-10: 0160508304

ISBN-13: 978-0160508301

Package Dimensions:

12.1 x 10.6 x 1.7 inches

Shipping Weight: 6.3 pounds

Average Customer Review:

4.6 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#1,167,039 in Books (See Top 100 in Books)

I fully agree with the above review in all its positive points. This book is superbly researched and superbly written, and it is well worth the very inexpensive price. It is by far the most detailed examination of the architectural history of the U.S. Capitol building that I have come across. However, the actual physical quality of the book leaves a great deal to be desired, which is why I have given this four stars instead of five. The printing job is lousy. Many words are struck out or compressed into the space of one letter. The illustrations look as if they were copied on an old and dirty photocopy machine. This is a particular problem with the photographs, some of which are almost undifferentiated black rectangles. Also, the captions indicate that some of the illustrations were obviously in color, although they are copied in black and white.I would recommend this book for anyone with an interest in the architecture of the U.S. Capitol, but I also would recommend that it be read with other books on the Capitol that have better quality illustrative material.

This is an amazingly complete history of the Capitol, which will give you an overall view of how it, like the country and government it represents, is a patchwork of personalities and compromises. However, there are more than one printing of this book; I highly recommend the hardback if you care about photo reproduction; if you are on a budget, the softbound has all the text, but the reproduction is black & white and can verge on the terrible.

EXcellent detailed bbok, well written with great pictures and details.

Great book!

I used to think that the United States Government Printing Office was responsible for putting out lots and lots of documents only politicians and lawyers might find interesting, as well as pamphlets on home canning, fallout shelter design, and other arts. I was thus delighted to find that this government branch has produced a quite beautiful volume, _History of the United States Capitol: A Chronicle of Design, Construction, and Politics_ by William C. Allen. It even has a publication note: "106th Congress, 2d Session / Senate Document 106-29 / Printed pursuant to H. Con. Res. 221," but don't be put off by this. It may be an official US Government publication, but it is a large format book of almost five hundred glossy pages, it is well illustrated, and it is written with no touch of bureaucratese. Cynics alert: the government can do some things very well.Of course, that is what the book itself is about. The Capitol is a real triumph, a gorgeous building that does everything architecture can do to inspire hand-over-the-heart patriotic feelings. Underneath that magnificent dome are wings that are beautifully proportioned and decorated, and it comes as a surprise to learn just how much the building consists of additions that were never anticipated when its first stone was laid in 1793. Indeed, the splendid dome we see now was before just a smaller spherical cap without decoration, and the building consists more of additions than it does of the original structure. We may now think of the building as essentially finished; indeed, historic preservation activists have in recent decades prevented any major additions or changes, but for most of its history, the Capitol has been tinkered with and pieced together. In 1827, Representative Charles Wickliffe of Kentucky addressed the house to complain that the building was not yet finished, and that old men from his district who had worked on it were now amazed to find out that the work was incomplete. Almost ever since, elected representatives within the building have criticized the Capitol, bothered its funding, politicized the selection of architects, and in general acted like politicians. The building remains symbolic in this way: a magnificent outcome has arisen despite the arguing and shenanigans.The book describes the placement upon Jenkins Hill of the "Congress House" within the famous plan of the city drawn up by Pierre L'Enfant. It was Jefferson who insisted that that it be called a "capitol," with roots deep in the Roman republic, emphasizing ancient principles of citizenship and self-government. There was a competition for the design of the original building, but there is not really one original architect, as it was built by compromise between various plans. George Washington insisted on a dome "for beauty and grandeur," but thought it might be a good place to put a clock or a bell. It was the classicist Jefferson who advised Washington on the final design, and who worked intimately with B. Henry Latrobe to produce the initial structure. Prominent within it was the rotunda, with proportions taken almost directly from the Pantheon in Rome. The Jefferson - Latrobe partnership was enormously productive, but not without some conflict. Latrobe, for instance, was in favor of a "lantern" to be raised upon the dome as a means of covering it and allowing for light to enter, but Jefferson was clearly bound to classical precedent; he knew of no such lantern on classical buildings, terming them "degeneracies of modern architecture." By the time the dome was really to be erected, the British had in 1814 burned much of the original building, and Charles Bullfinch designed a relatively low, spherical dome close to the desires of Washington and Jefferson.Latrobe was the first of the architects to deal with the Americanization of classical influence. For instance, the sculptors of the enormous eagle above the Speaker's rostrum produced a weird bird that was distinctly un-American. The Italian sculptor modeled the bird from memory, and it was only after shipments of anatomical parts of a bald eagle to the sculptor that we got an eagle whose inauthenticity would not "be detected by our Western Members." Latrobe also designed novel columns for the inside of the building, capped by magnolias or graceful tobacco leaves rather than the classical acanthus. His most popular feature, however, were the corn columns, the body of which resembled stalks of corn tied together (rather than plain fluting), with a cap of ears of corn. Everyone liked them, and they enabled him to get extra appropriations.The architect who has most to do with the appearance of the Capitol as we know it was Thomas U. Walker, who entered the competition for the expansion of the building, once the old Senate and House chambers were acknowledged as too small. His design of wings for new chambers on either side of the old ones, and connected to them by narrow corridors, was approved by Millard Fillmore in 1851. Walker worked on the creation of the new chambers even though for most of his term the building project would be transferred to the War Department. It is not clear who had the idea for a vertical extension of the low dome into the splendid one we now see, but by the time a certain Representative addressed his colleagues about the fire hazard of the mostly wooden Bulfinch dome, Walker was already designing its replacement. Many of Walker's beautiful drawings and plans for the dome are reproduced here. The dome is of fireproof cast iron, painted to look uniform with the stone of the rest of the building. Miraculously, the colossal and ornate dome exceeded in weight the original, much smaller, masonry and wood dome by only twenty percent. It was not without controversy; there were many in architectural circles who insisted that buildings and materials must be honest and iron should not imitate stone, but this was never a controversy entered by the politicians. The dome had been started by the beginning of the Civil War, but the firm with the contract for the cast iron had over a million pounds of it on site, and kept working even though the government admitted that the war would postpone all payments. During the war, the Capitol was used as a bakery, a barracks, and a hospital. With the confusion of war, the grounds became trampled by hogs and goats, and they rubbed against and discolored the ironwork waiting installation. But the great dome was completed by the time the war was over.There have been extensions to all four sides of the Capitol, and many changes to the interior. While many of the historic decorations have been deliberately retained, a few (and it seems significantly few) changes have done serious damage to what went before. The author notes that the 1950s update of the Senate and House chambers took out all of the high Victorian decoration and replaced it with "pastiches of vaguely classical designs." He sniffs, "Few connoisseurs today look upon the designs with satisfaction, nor has any student of Federal period architecture discovered either authenticity or wit among the details." However, such dismissals are few in this gorgeous book. Allen is himself the architectural historian in the office of the Architect of the Capitol, and so his enthusiasm for the structure is not only obvious but it is exceedingly well informed. He has included the controversies, personality clashes, funding debates, and political bombast here, but nothing can obscure the success and the beauty of this remarkable building, a superbly American temple.

this is a new book very informative and a good account of the history of the United States history

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