Free Ebook A Chosen Path: The Ceramic Art of Karen Karnes
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A Chosen Path: The Ceramic Art of Karen Karnes
Free Ebook A Chosen Path: The Ceramic Art of Karen Karnes
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Review
Wonderful full-page colour photographs. . . . Will be welcomed by all who have admired and appreciated the utilitarian pieces and sculptural vessel forms Karen has produced during her distinguished career over 60 years as one of the USA's foremost potters.--The Log BookFilled with high-quality images spanning 60 years of [Karnes's] work. After reading the book, you will understand why she is commonly referred to as the 'grandmother of American ceramics.'--AmericanStyleAn excellent read for art biographies and art libraries in general, highly recommended.--The Midwest Book ReviewFascinating. . . . Thoughtful, intimate, and clear descriptions of the individual phases and turning points in Karnes's life. . . . A pleasurable read and an excellent resource for learning about contemporary American ceramics. . . . Recommended.--ChoiceA beautiful, fascinating look at [Karen Karnes].--The Chronicle
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Review
A great book about one of the important potters of our time. Seven artists, critics, historians, and friends, followed by Karen's own observations, document her life and work. Central, analytical, and factual, it is a fascinating story of creativity and dedication. Inspiring and long overdue, it is important reading for all artists.--Warren MacKenzie, potterMark Shapiro has assembled a stellar cast of essayists to explore the intriguing life and work of potter Karen Karnes. They write with a grace, clarity, and reverence befitting this maker of sublime yet curiously humble clay masterpieces.--Mark Hewitt, potter and co-author of The Potter's Eye: Art and Tradition in North Carolina PotteryThere are too few books that treat pottery as seriously as other art forms; too few that pay sufficient tribute to the achievements of women artists; and too few that situate great art within a rich biographical context. This finely textured book does all three, providing in-depth analysis not only of Karnes's pots and sculpture, but also of the life of the fascinating person who made them.--Glenn Adamson, Deputy Head of Research and Head of Graduate Studies, Victoria and Albert Museum
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Product details
Hardcover: 192 pages
Publisher: The University of North Carolina Press; New edition edition (September 17, 2010)
Language: English
ISBN-10: 0807834270
ISBN-13: 978-0807834275
Product Dimensions:
8.8 x 1 x 11.5 inches
Shipping Weight: 2 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#1,237,838 in Books (See Top 100 in Books)
I was fortunate enough to be one of Karen Karnes' students at Hunter College in the mid-seventies. At first I was not educated enough to really appreciate a ceramics department that boasted Karen Karnes, Susan Peterson, and John Mason as instructors. I was a painting major who accidently discovered Karen's wonderfull teaching techniques when I attended the class of my best friend. The following semester I signed up for Karen's ceramics class, and stayed with clay for the rest of my life. That was 40 years ago! Yikes!Karen exemplified the sharing qualities that are often associated with potters. She was an excellent advisor to handbuilders as well as wheel throwers. Patient, kind, softspoken, and oh so talented and wise, I find that I am still influenced (consciously and unconsciously) by Karen's style, forms, and excellent craftsmanship. Often, when I asked for advise by my own ceramics students I will automatically say, "I'd like to suggest..." rather than coming on like gangbusters. (I must also admit that John Mason and later, in graduate school, Doris Licht, were also true mentors.)"The Chosen Path" is a beautifuly realized tribute to one of America's living treasures. The essays are interesting and imformative, the photos are well chosen, and, in particular, Karen's stunning works are handsomely photographed and presented through out the book. I was given a copy of the book for Christmas about four years ago and then, a few months later, Karen sent me a signed copy. That one I keep home while the other is on my desk in school to share with my students. So...even today, Karen shares her talents with others though her actual work and through Mark Shapiro's excllent book. My only regret: when Karen and her partner, Ann Stannard, were invited to my wedding 37 years ago, I told Karen not to give us her pottery; knowing her, being her student, and receiving recommendations for graduate school, were more than enough. Karen complied with my wishes but still gave a lovely book about love and committment. Years later, I wish I had kept my big mouth shut. :)
I recommend this book for any person who wants to know what it would be like totrain and become a professional in the field of ceramic pottery and sculpture. Few youth get the opportunity to find out what it is really like to be a professional, talented, dedicated artist. This is something that is covered in this book. As a former high school art instructor, if I could I would give this book 10 stars. I feel it is especially suited for college age group considering a life as a professional artist.
A nice book about one of the masters of American studio pottery. Nicely written and well illustrated.
An informative text with far too few images of her work.
This book has been carefully crafted to open the reader to the world of this wonderful ceramic artist. Written by people who know her and her history plus an important section by Karnes herself. Illustrations and other material of interest. This is a catalog of Karen Karnes retrospective that is traveling the country.Book arrived promptly in excellent condition.
Beautiful book with lots of great photos.
The book arrived with a ding at the edge.Otherwise very pleased.
I leafed through this book when we saw this show at the Asheville Museum of Art. A gorgeous book, from a very gorgeous show. As a whole her output surveyed makes a stunning impression: deft, confident, and somehow avoiding the inherent "craftiness" of pottery. Even when, in the seventies pieces, they look like every other piece of seventies pottery you have seen, but only twenty times better. Most amazingly, her most recent works are the best. The bluish-gray pieces with oblique tilting appendages on the sides are a seeming summary of the anthropomorphism of pottery itself. And the devastatingly beautiful ceramic chairs or seats in a group are so much greater than any "installation art" you will ever see. For once with those amazing chairs or seats all the usual talk about art evoking "loss" and "absence" has a concrete and so beautiful evocation which is palpable, seemingly (even though you can't touch) and not imaginary. Yet, are a vindication of the imagination and its link with human hands.
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