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Disoriental, by Négar Djavadi
Ebook Download Disoriental, by Négar Djavadi
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Review
Praise for Disoriental "Like the best kind of fable, it is a tale of the solace and constriction of tradition and the magic and danger of reinvention.â€â€•The Times Literary Supplement “In her remarkable novel, 'Disoriental,' Negar Djavadi. . . beautifully captures the 'disorientation' of exile and the attempt to reconstruct a self through family stories."―Dalia Sofer, The New York Times “Tina Kover’s translation from French is lively and complex, with Négar Djavadi’s rich, elegant sentences shining through.â€â€•Vox Another award-winner is Négar Djavadi’s debut, Disoriental, translated by Tina Kover. A multigenerational epic of the Sadr family’s life in Iran and their eventual exile, as told by former punk Kimiâ Sadr as she sits in a Paris fertility clinic, this one is full of surprises. Where initially Disoriental seems focused on Kamiâ’s father and his pro-democracy activism – first against the Shah, then the Ayatollah Khomeini – this is truly Kimiâ’s story of disorientation – national, familial and sexual – and finding herself again.―The Globe and Mail “There's certainly enough of interest and appeal here, and there are some creative touches to the presentation, right down to the use of a few footnotes . . . and the glimpse of pre- and then revolutionary Iran and Iranian culture is quite interesting.â€â€•The Complete Review “The family currently lives in France and Disoriental’s message is particularly poignant, and relevant, in today’s political climate, when refugees are not freely welcome in many Western countries. . . With beautiful prose by Djavadi (and skillful translation from the original French by Tina Kover), and Kimia’s biting wit, readers will be entranced by the Sadr family lore.â€â€•The Furious Gazelle“[Djavadi] masterfully takes her reader through multiple parallel journeys in time and space.â€â€•The Los Angeles Review of Books “In a tour de force of storytelling, screenwriter and debut novelist Djavadi deftly weaves together the history of 20th-century Iran [...] with the spellbinding chronicle of her own ancestors. [...] [T]his enchanting novel, well translated and with surprises and delights on every page, perfectly blends historical fact with contemporary themes.â€â€•Library Journal “Authentic, ambitious, richly layered, and very readable, [...] every scene [of Disoriental] rings true.â€â€•Kirkus“What is obvious from the beginning of this riveting novel is that Djavadi is an immensely gifted storyteller, and Kimiâ's tale is especially compelling.â€â€•Booklist (Starred Review) “Disoriental is a rich, irreverent, kaleidoscopic novel of real originality and power. I’ve never read anything quite like it.â€â€•Alexander Maksik, author of You Deserve Nothing “Djavadi’s momentous first novel [...] convincingly and powerfully explores the enormous weight of one’s family and culture on individual identity, especially the exile’s.â€â€•Publishers Weekly “Djavadi here offers an account of an Iranian family, thought revolutions, relationships, and diaspora, and she does so with a voice remarkably open to humor, warmth, and love. The prose is at once chaotic and precise, charismatic and familiar. Disoriental is a wonder and a pleasure to read.â€â€•Rivka Galchen, author of Atmospheric Disturbances “Disoriental is epic in scope and yet deeply, even intimately, personal–the novel blows up any lines between the personal and the political, intertwining generations of inherited family stories in a way that doesn't just bring history to life (though it does that as well), it shows the lingering and often cruel effects seemingly disembodied historical forces can cast on an individual like Kimiâ Sadr. And amidst a story that could not be more topical―encompassing political upheaval and emigration, gender and sexuality―Djavadi's reluctantly worldly-wise narrator casually lays bare devastating truths about society and human nature. Stunning.â€â€•Tim Mohr, author of Burning Down the Haus “By turns heartbreaking and humorous, Negar Djavadi takes us on a whirlwind journey through Iran's modern history, vividly capturing the pain of exile with passion and heart.â€â€•Saleem Haddad, author of Guapa “Disoriental is a novel that will take your breath away, a lovely hymn to the freedom to live, to think, and to love.†―France Inter “Emotion, comedy, fever, and drama.â€â€•Elle “If the history of Iran had to be contained in a book, set in motion and shaken by its revolutions, it would give you Disoriental...astonishing, disorderly, extraordinary, and enjoyable.†―Le Devoir “Constructed like a vinyl record, with its epic and novelistic A-side and its ‘awkward little sister,’ the personal and political B-side, Disoriental has many enticing tracks. These include its narrative strength, held up by the consummate art of digression, changes in tone and rhythm, and the richness of its themes, as well as the precision of the critical eye that it points most notably at French society.†―Le Monde des livres “An incredible story...that leaves the reader dumbstruck, intensely and emotionally thrown off course.†―ActuaLitté “An ample political, historical, and intimate fresco, Disoriental appeals to readers with its freedom, its power, its breath, its language, and offers brilliant reflections on exile and identity. Impressive!†―Le Carnet à spirales “Magnificent.†―Le Soir “An enchanting writer.†―Canal + Bookseller Blurbs “PHENOMENAL! Insightful and compelling...Djavadi takes on huge social topics such as immigration, homosexuality, politics and culture and distills those issues into the personal experience of one girl, who is so genuine and endearing that one can’t help but come to understand and have compassion for what she and her family endured. This story is one that needs to be read!â€â€•Stephanie Crowe, Page & Palette Bookstore “A master storyteller, Djavadi unravels Kimiâ Sadr’s origin with family lore that has been passed down for generations, beginning with her Persian great grandfather in 1896. Each thread of the family’s story builds the foundation for their harrowing escape to France during the Iranian Revolution. This book is a triumph and humanizes the history of a culture that many have ignored.†―Rachel Watkins, Avid Bookshop
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About the Author
Tina Kover's published works include the Modern Library translation of Georges by Alexandre Dumas père, The Black City by George Sand (Carroll & Graf), and Maurice G. Dantec's Cosmos Incorporated and Grand Junction. In 2009 she received a National Endowment for the Arts Literature Fellowship for the translation of Manette Salomon by the Goncourt brothers.
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Product details
Paperback: 320 pages
Publisher: Europa Editions; Translation edition (April 17, 2018)
Language: English
ISBN-10: 1609454510
ISBN-13: 978-1609454517
Product Dimensions:
5.2 x 1.2 x 9.2 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
14 customer reviews
Amazon Best Sellers Rank:
#44,530 in Books (See Top 100 in Books)
A crash course in Persian/Iranian history that transcends form. A novel that reads like nonfiction the way I wish nonfiction was more often written. Historical, semi autobiographical yet a true novel, one which elucidates a period of history still affecting the world and its people. Highly recommend this challenging novel.
Very well-written and poignant. It’s virtually a history of modern Iran told through the experience of the youngest daughter of an Iranian family living in Paris. Djavadi writes movingly about the difference between immigration and exile and the difficulties faced by anyone trying to integrate into a new, foreign culture. A beautiful book.
This book knocked my socks off. I loved the story. I loved the manner in which it was told. I loved the characters. I enjoyed the history lesson. What a writer! It's especially impressive since this is her first novel. I can't gush enough about this book. This one will stick with me for a long, long time. I hope there are more to come from Ms. Djavadi. An excellent read!
Excellent translation of an unforgettable tale. I kept hearing about this book, but it hadn’t been translated into English yet. Now it is. A story that will stand the test of time.
Off beat coming of age story, exploring the difficult paths and heartbreaks of immigrants. Intensely personal and unique story of an Iranian born girl’s journey.
Really enjoyed this book, easy to read with characters to love as story develops. Recommend.
At the very onset, let me tell you that "Disoriental" is not an easy book to read. I think most literary fiction isn't. You have to give the genre some time to grow on you and once it does, there is no looking back. Having said that, the reading experience differs with every book.The thing with "Disoriental" is that (and to me, this was important while reading it) it is written in French (the adopted country of the author) and not in the author's native language Farsi. This in itself says so much about the book and its progression.The readers are in for a treat when it comes to this book. From a modern-day fertility clinic, we are transported to modern Iranian culture and in the bargain the history of a country. Might I add that there are magic realism elements as well that take your breath away, even if you have read Márquez or Rushdie. Kimiâ Sadr fled Iran with her mother and sisters to join her father in France, at the tender age of ten. She is now twenty-five, in a fertility clinic waiting for her turn and memories come rushing by.I love how Djavadi has integrated the personal and the political. It is as if they are intertwined and to a very large extent maybe they are. The past, present, and future of the country of birth will somehow in so many ways, will always be linked to ours, whether we choose to acknowledge it or not. The Sadrs are a flamboyant lot - from Kimiâ's formidable great-grandfather to her father and uncles. Not to forget her mother from whom she was greatly inspired. "Disoriental" besides being a book on identity, exile, and homelessness, is also a book on a family in the midst of political upheaval and regime change. Iran is described on point (not that I have been there but can figure, only going by movies I have watched and other books I have read) and there is mention of "THE EVENT" of March 13, 1994, which is spoken about throughout the book and revealed with a feeling of horror toward the end. The thing also about "Disoriental" is that it feels as though it has come from a very personal space, almost autobiographical and maybe it is. Family looms large in the narrative and plays along beautifully alongside, combining the personal and the political. Also, not to forget the sexual. Kimiâ's sexual identity is also explored which I thought was much needed. "Disoriental" is about distances and perhaps also about the ones we do not sometimes want to traverse. It is about alienation and somehow feeling grounded wherever you are, in a very strange manner. The tone and voice of the narration keep changing in the book, which to me made it jumpy and out of the flow. Having said that, it was needed to give background about characters and the place they came from. There are multiple journeys in one book - they run parallelly to each other and the author uses deep, lyrical sentences that give it the much-needed elegance. At the same time, to understand that all of this is translated into English makes one be in awe of Tina Kover, given how dense the book is. There is a lot of thread of memory - through objects, people, place and time (you will keep reading about THE EVENT a lot by the way), lending it the Proustian quality (I wasn't surprised at all). All I can say is that "Disoriental" is a book that has so much to offer, and does it in a lot of ways and stupendously at that.Â
“[T]o really integrate into a culture, I can tell you that you have to disintegrate first, at least partially, from your own.†The creation of Kimia Sadr’s individuality set against her Iranian and French backgrounds, Disoriental, Négar Djavadi’s debut novel, is as fresh as a newly fertilized egg. Born in 1969 in Tehran, Kimia Sadr is the youngest of Darius and Sara’s three daughters. Kimia is born for a second time in French, when she is ten, after her mother and sisters follow Darius to exile in Paris. Instead of Kimia, she becomes Kimi, with a chance to make up an identity all her own. She tells her story from front to back, beginning in the waiting room of a Parisian in vitro clinic and filling in her history back to her family’s roots in Iran. Although her father refers to the French as “them,†Kimia candidly narrates in the first person, addressing, “you,†her (mostly) French audience. She grows up steeped in rebellion, her parents intellectuals and protesters against the imperialist regimes of the Shah and Khomeini. She, too, rebels against growing up, against becoming a woman, against the past, against speaking, against assigned roles. The intimacy of her tone - including conversational phrases like, “for your sake…,†“let’s linger for a minute†- shows how far she comes from pushing against, keeping her distance; her “love disability,†as she calls it, to welcoming new life.Disoriental is a total reorienting along free associations. The novel is difficult to categorize. Based on the author’s life, it is personal memoir and political history layered betwixt and between each other. But it is also a collage of indie music and cinema, books and subculture references. It is literature on drugs, a stream of consciousness dialogue that only makes sense taken as a whole. Juxtapositions structure the book: the conversational tone and Kimi’s proclivity for hiding, Kimi waiting in the in vitro office and her father’s escapades, her birth and her grandmother’s death, coming out to herself and the 1979 revolution, 9/11 and reuniting with her girlfriend Anna, leaving Iran and Iranian New Year’s. While seeming coincidences, these pairings inform each other, forging new meanings and a unique genre of storytelling.Toward the end, the novel becomes more linear the happier Kimia becomes. She becomes the person she envisions herself to be: a music mixer. She masters sounds as Djavadi masters a new style of prose. Disoriental delights and challenges the literary palette with a one of a kind tale of one woman’s coming of age amidst Iran’s tumultuous recent past.
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